![]() Auto edit sync group sources as one sequence.Mixed Sources – resolution, format and frame rate.Live Cut – cut between angles during playback.Switching clips directly in the timeline.Storyboarding – arrange tiles in Bins, adjust in and out points and convert to an edit with a single click.Multi-colored markers for edits and clips.AutoSync – Single-click re-sync of whole timeline.Advanced realtime Multicam editing with unlimited sources (Subject to hardware and storage capability).Resolution, format and codec independent timeline.MXF OP1a, MXF OPAtom – P2, MXF OPAtom – native.These cards show exceptional performance when used with Lightworks on Windows or Linux and we are proud to recommend them to our users: We have recently approved the latest NVIDIA cards K1200, K2200, K4200 and K5200. Although we support both NVIDIA and AMD graphics cards, we strongly recommend NVIDIA as the graphics card of choice, for anyone wishing to get the most out of Lightworks. One of the most important aspects for a system to run Lightworks is the graphics card. 200MB Disk space for Lightworks installation.Separate media and system drives (these can be internal or external as long as the the interface is suitably fast.PCI Express graphics card (NVIDIA or AMD) with 1GB or higher and support for DirectX 9.Two high-resolution displays (1920 x1080) or above.Intel i7 chipset or faster, fast AMD chipset.Linux Debian: Ubuntu/Lubuntu/Xubuntu 18.04 & higher, Mint 17 & higher.Linux Supported RPM Distros: Fedora 30 and higher. ![]() Windows 7, Windows 8/8.1, Windows 10 and Windows 11.Mac OS X 10.11 (El Capitan) and higher, earlier versions are not tested.No other editing software out there runs on all three platforms. Now you can use your operating system of choice without impacting on the work you need to get done. Whether you are running Windows, Linux or Mac OS X, the power of Lightworks will be right at your fingertips. Sophisticated embedded or linked OMF/AAF with Protools and Reaper. Real-time, enhanced audio EQ with four independently adjustable bands. Powerful clip based audio leveling with external midi control (Mackie) support. Versatile and precise colour and brightness adjustments for subtle, unique effects.īrowse, play and edit music directly from Audio Network or Amazing Music Tracks. Tell your story your way and edit how you feel most comfortable in a custom UI.Īwesome, no-nonsense out-of-the-box effects that you'll actually use (and love!)Īn incredible library of hundreds of preset effects & animations included in Pro.Įnhance your next video with 100s of 2D & 3D title and text animation effects.ĭirect access to the best original production music and stock video from Pond5.Īdjust colour, balance and tweak tones and much more, even during playback.Īdjust the entire image or isolate specific parts or objects in frame, in real time. Edit whilst the boring tech-stuff happens in the background. Simple, yet powerful trim functions that all levels of editors can 100% rely on.Ĭreating a group of synced clips straight from your bin has never been easier. Easy to configure, easy to maintain and it works on any network storage across all major operating systems (I'm looking at you, Linux!) If you need to work together then this is probably the best solution available. Share media, bins and edits in realtime with full permissions control over which user has which access. If You're Editing Something big, Sharing is Caring MXF, Quicktime and AVI containers, with every professional format you can think of: check out the specs for a full list of formats. Lightworks has the widest support available for formats currently available in a professional NLE. And it’s free.Īny Video File, any Format: We Support Them all With the most comprehensive drag and drop support, and all the standard insert, replace and fit-to-fill edit commands, a Lightworks timeline gives you the most advanced features available. But it’s the most powerful timeline out there. The Only Narrative-Based Timeline Built by Editors ![]() When every camera, every phone, and everybody can shoot video, there are no rules with file types. You want your video on YouTube, click the YouTube logo, you want it cinema ready, click the cinema button. We’re not colouring software with a bit of editing we’re not air-brushing software with a bit of video stuff.
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